Justus and Michael meet with author and pastor George Grant in his home in Franklin, Tennessee to discuss the relationship between the Reformed church and the arts. If the Reformed church has very good theological reasons for supporting the arts, why does it seem like there is so much resistance to the arts and artists in Reformed communities?
Your host Justus sits down with singer-songwriter Anthony Quails who shares stories of becoming a sponsored artist, knowing God’s grace through shortcomings, evangelizing in music, and his new album of his most personal songs yet.
Stay tuned to the end for the demo of “I Wish That I Was Him” from Anthony’s forthcoming EP The Man I Thought I’d Never Be. Check out his Kickstarter before it ends Saturday, June 29!
Justus sat down with singer-songwriter Derek Webb to discuss his experience in the Christian music industry and how it may have contributed to his loss of faith. Stay tuned at the end for “Wedding Dress” from Webb’s 2003 record She Must and Shall Go Free.
We also want to thank Ryan Lane of Civilized Creature for permission to use “Unexpected Gifts” from his forthcoming record The Way Back Home.
Allison and Michael field your questions about art history, tackling some new material to close out the season.
Stay tuned at the end to hear the full version of “Eyes Closed Dance Party” off of Permission to Feel by Civilized Creature. Thank you all for writing in!
In a fully-loaded episode, Allison and Michael discuss the art historical trends and challenges of today, with a discussion of digital, indie, and multi-media art. Then they present a flyby of how the various movements covered in this season might apply to or inform artists and patrons now.
Stay tuned at the end for “Before the Silver Tether Breaks,” composed and arranged by Phil Hodges, from Death is Their Shepherd, by Physick.