Michael goes solo to talk about exploited art in its four forms: propaganda, pornography, pomp, and product. He discusses why subjecting art to an agenda undermines the powerful purpose of art, and why the church should be the place artists feel most free and empowered to pursue their callings with integrity.
LINKS
Why Are So Many Christian Artists at Odds with the Church? (article and podcast)
12 Years a Slave: History vs. Hollywood
Art and the Evangelical Imagination (with Karen Swallow Prior)
“The Sentimentality Trap,” by Benjamin Myers
Young People are Having Less Casual Sex …
The Artist and the Problem of Fame (Part 1)
Patrons and the Problem of Fame (Part 2)
Why Art, Like the Gospel, is not a Commodity
Love this: “Fear of the wrong conclusion on the part of a free audience should not dictate one’s artistic choices.”
People are happily and numbed by easy-to-digest content that tells them exactly what to think and how to feel. What is the remedy?