What You Should Know Before You Listen to Our Podcast

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What do you expect from the Renew the Arts Podcast? Do you want a trusted checklist for beauty, so you can discern with little effort between good and bad art? Looking for rules to keep your media consumption safe for the whole family? Want a podcast that recommends similar artists within your current tastes? Well, look no further than … somewhere else.

No, but all joking aside, we have found that many Christians enter into discussions of the arts with very specific expectations and fears. To be frank, we probably won’t meet those expectations or allay those fears. But, if you can open up your heart and mind ever so slightly to what the Bible teaches that the arts can and should do in the church, I think you’ll find we offer something far more bracing, freeing, and edifying than quick and comfortable answers.

Clearing Out the Gentile Court: A Story

Underneath the heralding of marketeers, the bleating and lowing of sacrificial animals, and the babble of banter in thirty native tongues, I could almost hear the sound—a haunting of the air—of music over the Gentile Court.

Is that a tambourine? Or coins settling on a scale? I hear a lament, a woman crying out. No, she squeals with laughter. I hear a bass murmur of another crowd through the walls, more unified, barely audible. I focus on it, but it escapes me. A camel grunts, loaded with goods. Where is the peace, the majesty, and the beauty I was promised in His presence?

The merchants and money-changers, some of them fresh from the temple, obscure the walls and pillars of God’s house with their heaped up crates and baskets—their shade tents and well-stocked tables. In a language everyone can understand, they pitch their wares. In mock service to the pious, they drown out every pious sound.

What is Art?

I imagine Pilate asked Jesus, “What is Truth?” with the same tone of hopeless resignation that many people ask, “What is Art?” It seems like, as with discussions of truth, we all know more or less what’s standing right in front of us even when we aren’t willing or able to articulate it clearly.

Nonetheless, whenever there are disagreements about art, you can be sure at least one peanut in the gallery will torpedo the discussion with “unanswerable” questions. Usually, these questions and definitions serve to close discussion rather than open it. I have no intention of doing that here.

Scorsese, Endo, Silence, and Me: “These Poor Signs of Faith”

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On his way to the Nagasaki Atomic Bomb Museum to get inspiration for his next novel, Shusaku Endo was diverted to the smaller, almost hidden, Twenty-Six Martyrs Museum nearby. There he first saw the fumi-e (“trampling pictures”)—brazen images of Jesus hanging on the cross or of Mary with her iconic cucumber (perhaps Eastern-styled as a lotus), representing purity even in the midst of swampy filth.

The unswervingly Buddhist 17th-century Shogunate commissioned these brazen images specifically to be desecrated as a public sign of apostasy, and Japanese peasants would step (or trample “if you prefer a more florid reading”) on the fumi-e as proof that they posed no threat to the order and solidarity of Buddhist Japan.

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